As part of the From, maybe to project, which also encompasses sculptures and an audiovisual work, this series of eighteen prints presents a fictional speculation within the project’s broader narrative. These works serve as an imaginary preliminary phase of documentation, research,and discovery staging the hypothetical origin of the sculptures belonging to the project. Reflecting on multiple possibilities, the series explores the intersection of music, architecture, and geometry, remaining deliberately ambiguous as to whether these are musical scores, architectural floor plans, design sketches, maps, traces, or remnants of a project, or perhaps all of these elements in dialogue. The only certainty is that these objects create a space for collective memory, presented as visual artifacts.