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Gianluca Iadema is a composer, visual artist, and performer working with a transdisciplinary approach to music, video, and installation.
His research seeks a synergy where each discipline is enriched and more fully realized through its operational relationship with others, finding a formal synthesis in transmedia works.
In and out, however oneself
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From, maybe to: prelude
From, maybe to: my plan your floor (remix)
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From, maybe to: sculpture
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From, maybe to: my plan your floor
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ever.rave
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Un_i[n]verso - audiovisual works
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Un_i[n]verso - audiovisual sculpture
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ID[entità]
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Aphàiresis
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﹀
Gianluca Iadema is a composer, visual artist, and performer working with a transdisciplinary approach to music, video, and installation.
His research seeks a synergy where each discipline is enriched and more fully realized through its operational relationship with others, finding a formal synthesis in transmedia works.
In and out, however oneself
From, maybe to: prelude
→ view project
From, maybe to: sculptures
→ view project
From, maybe to: my plan your floor (remix)
→ view project
From, maybe to: my plan your floor
→ view project
Un_i[n]verso - audiovisual sculpture
→ view project
ever.rave
→ view project
Un_i[n]verso - audiovisual works
→ view project
Aphàiresis
→ view project
ID[entità]
→ view project
15.09.2026
02.07.2026
02.07.2026
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Presented with London Design Festival 2026 as part of the official collaborative open call THE WAY, which is hosted at the historic Old Waiting Room above Peckham Rye Station in London, this multidisciplinary exhibition explores those subtle, unnoticed turns and ordinary choices that quietly redirect the course of a life. Taking place from 15 to 20 September 2026, Gianluca Iadema’s artwork, from maybe to:prelude, is featured within this non-linear conversation of paths and perspectives, set in a space defined by the interval between events, unplanned encounters, and the quiet accumulation of time.
Read MoreLess
The MA/IN Festival scheduled from 7 to 10 October 2026 across venues in Matera, Potenza, and Lecce, presents Gianluca Iadema’s audiovisual work, In and out, however oneself. The festival focuses on sound, technology, and audiovisual art, bringing together contemporary media and acousmatic compositions.
Read MoreLess
The Texneo Novum Festival, a biennial event organized by Marte Cultural and curated by Anna Moraes, investigates the relationships between art, technology, and society under the 2026 theme Future Fabric. Held from 2 July to 23 August 2026 at the Blumenau Art Museum in Brazil, the festival features exhibitions, screenings, and public installations across multiple media-art categories. Within the Moving Image programme, Gianluca Iadema presents from maybe to: prelude, a 3D animated audiovisual work exploring memory as a transformative force through the fictional reimagining of a single object: the piano.
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From 27 February to 1 March 2026, Castello Carlo V in Lecce hosted Imaginary Landscapes, a three-day programme dedicated to experimental music and audiovisual arts. Part of the SISS (Sounding Images – Screening Sounds) project funded by the PNRR, the event explored the relationship between sound, image, and digital culture through installations, live performances, and concerts.Gianluca Iadema’s work from maybe to:prelude was awarded during the opening ceremony, and featured in the event’s official screening programme.
Read MoreLess
The international juried exhibition Aberrant Creativity, presented by the Institute for Applied Creativity at Texas A&M University, explores the intersection of human creativity and artificial intelligence. Hosted at the Arts Center of Brazos Valley in College Station, Texas, from 25 August to 17 October 2026, the exhibition examines contemporary artistic practices through the theme “Human as Inspiration.” Gianluca Iadema’s 3D movie, ever.rave, is featured within this programme, investigating multidimensionality, immersive and ergodic narratives, and artificial intelligence.
Read MoreLess
In January 2026, the Sounding Images – Screening Sounds (SISS) project held a two-day event at the Conservatorio di Musica “F.A. Bonporti” in Trento. The programme featured performances, installations, and presentations dedicated to the dialogue between experimental music and digital audiovisual arts. During the event, Gianluca Iadema’s audiovisual work from maybe to:prelude was presented following its selection as a winning project of the SISS Open Call. The presentation was integrated into the event’s concert programme, which showcased works from emerging international artists alongside commissioned compositions.
15.09.2026
Read MoreLess
Presented with London Design Festival 2026 as part of the official collaborative open call THE WAY, which is hosted at the historic Old Waiting Room above Peckham Rye Station in London, this multidisciplinary exhibition explores those subtle, unnoticed turns and ordinary choices that quietly redirect the course of a life. Taking place from 15 to 20 September 2026, Gianluca Iadema’s artwork, from maybe to:prelude, is featured within this non-linear conversation of paths and perspectives, set in a space defined by the interval between events, unplanned encounters, and the quiet accumulation of time.
07.10.2026
Read MoreLess
The MA/IN Festival scheduled from 7 to 10 October 2026 across venues in Matera, Potenza, and Lecce, presents Gianluca Iadema’s audiovisual work, In and out, however oneself. The festival focuses on sound, technology, and audiovisual art, bringing together contemporary media and acousmatic compositions.
03.07.2026
Read MoreLess
The Texneo Novum Festival, a biennial event organized by Marte Cultural and curated by Anna Moraes, investigates the relationships between art, technology, and society under the 2026 theme Future Fabric. Held from 2 July to 23 August 2026 at the Blumenau Art Museum in Brazil, the festival features exhibitions, screenings, and public installations across multiple media-art categories. Within the Moving Image programme, Gianluca Iadema presents from maybe to: prelude, a 3D animated audiovisual work exploring memory as a transformative force through the fictional reimagining of a single object: the piano.
Read MoreLess
The international juried exhibition Aberrant Creativity, presented by the Institute for Applied Creativity at Texas A&M University, explores the intersection of human creativity and artificial intelligence. Hosted at the Arts Center of Brazos Valley in College Station, Texas, from 25 August to 17 October 2026, the exhibition examines contemporary artistic practices through the theme “Human as Inspiration.” Gianluca Iadema’s 3D movie, ever.rave, is featured within this programme, investigating multidimensionality, immersive and ergodic narratives, and artificial intelligence.
Read MoreLess
From 27 February to 1 March 2026, Castello Carlo V in Lecce hosted Imaginary Landscapes, a three-day programme dedicated to experimental music and audiovisual arts. Part of the SISS (Sounding Images – Screening Sounds) project funded by the PNRR, the event explored the relationship between sound, image, and digital culture through installations, live performances, and concerts.Gianluca Iadema’s work from maybe to:prelude was awarded during the opening ceremony, and featured in the event’s official screening programme.
Read MoreLess
In January 2026, the Sounding Images – Screening Sounds (SISS) project held a two-day event at the Conservatorio di Musica “F.A. Bonporti” in Trento. The programme featured performances, installations, and presentations dedicated to the dialogue between experimental music and digital audiovisual arts. During the event, Gianluca Iadema’s audiovisual work from maybe to:prelude was presented following its selection as a winning project of the SISS Open Call. The presentation was integrated into the event’s concert programme, which showcased works from emerging international artists alongside commissioned compositions.