These works serve as an imaginary preliminary phase of documentation, research, and discovery staging the hypothetical origin of the sculptures belonging to the project, turning the very act of discovery into the core meaning of the artwork itself. Reflecting on multiple possibilities, the series explores the intersection of music, architecture, and geometry, with copper wire symbolizing the act of measuring and analyzing something unknown. It remains unclear whether these are musical scores, architectural floor plans, design sketches, maps, traces, or remnants of a project, or perhaps all of these elements in dialogue. The only certainty is that these objects create a space for collective memory, presented as if they were found artifacts or relics in a museum display.