The intuition of using the invisible substrate that makes up what appears to us as a compositional material reveals the will to examine the technological element beyond its normal functions. Here is the background turning into the subject, and opening up new perspectives of artistic research.
However, Aphàiresis, and the related will to re-functionalize the error, stems from a much broader discussion: imperfection as a possible origin of art. Art develops from the idea that, the very moment it should break, an object such as a goblet would lose its function and, consequently, would be catapulted into a dimension of negation of the world of functions, returning a thought action that cuts the everyday life, making the artist glimpse the delicacy and fragility of the surrounding world.
Therefore, Aphàiresis becomes the process through which the different codes, visual and musical, re-functionalize each other, giving value to the error and the resulting power to trigger an artistic and reflective reaction.