The entire narrative begins with a video in which a photogrammetry of a piano explodes, transforming the instrument into a space for exploration. What was external becomes internal, and vice versa, creating an “absolute” object that floats in another dimension. The piano morphs into an abstract landscape, revealing traces of architecture on its surface, recalled by the digital drawings that belong to the same project. At this point, the point cloud slowly reassembles, gradually taking on more three-dimensional forms. It’s as if a distant gaze is trying to understand what it is and eventually realizes that all these components need to reconstitute themselves into a sculpture, without knowing what a piano is. In the end, it is revealed that these structures turn out to be machines designed to store people’s memories.