Built using components derived from a disassembled piano and other musical elements, these sculptures evoke fractal memory structures, serving as filters that imprint traces of recollection in three-dimensional space. They intertwine music, visual art, and architecture within a self-referential, procedural system where human memory becomes the sculpture’s own memory, and time flows fluidly as past and present merge. Within this fictional narrative framework, the works appear as hypothetical machines designed to preserve memory’s residue. Metal bars, linked by custom joints, create a rhythm both systematic and organic, unfolding with a self-similar complexity that mirrors the fractal geometry found in nature. Reflecting this organic growth, the copper plates feature leaf patterns imprinted through oxidation, while the red felt from the piano’s dampers punctuates the form as luminous constellations translating sound into visual rhythm. Each sculptural element is guided by a defined musical logic, which directly shapes the core composition of the project’s audiovisual work.